![]() ![]() Solo Studies, Original ad-lib Solo with Transcription. These two books are filled with great modern 16th note lines in all 12 keys that you can learn and use while soloing. Easy Solo Example of Standard Jazz number for Tenor Saxophone. If you like these types of modern lines like I do, be sure to check out my Devastating Lines for Jazz and Funk Soloing for Minor and Dominant Grooves. ![]() Any support is appreciated and will go towards keeping this site running, saxophone reeds, mouthpiece patches, coffee, and towards justifying the many hours I spend on providing free transcriptions to the saxophone community! Thanks, Steve *If you would like to support me here at, you can do so on the support page of my store by debit or credit card. ![]() My wife always asks me why I have to practice so much? Well, it’s because of young guys like Sam who remind us all that we need to practice! Thanks for the great solo and inspiration! Feel free to leave any thoughts or comments you might have in the comments section below this post after you pick yourself up off the floor!.A Minor Tenor Sax Riff-Chad LB-Concert PDF He also has a great CD recently released called “Force Field” and an older CD of standards called “Out in the Open” that you can check out! Also, do yourself a favor and go to this page from his website with a Slow Blues on it! You can definitely tell Sam has studied the lines of John Coltrane right? I also have a few other transcriptions of Sam Dillon’s solo here. If you want to check out more from Sam Dillon you can read Sam’s bio here on his website. ![]() Duke Ellington Prelude to a Kiss (ensemble) From the 1938 big band album Braggin’ in Brass. This transcription is of just the head, and includes George Coleman on tenor, Hilton Ruiz on piano, and Sam Jones on bass. Well done guys! This pandemic better end soon or all these great jazz players in isolation will convert every tune from the great American songbook to 400+ tempos and random odd meters just to keep themselves entertained! George Coleman Lo Joe (head only, ensemble) From Amsterdam After Dark (1979). I had to really hone in on Yosuke’s bass notes and actually work backward for the last 12 bars of the solo. I think I came pretty close in transcribing it. The second page of this solo was especially hard to transcribe because Sam was laying so far behind the beat on some of these lines that it was difficult sometime to tell what note was “supposed” to be on one. I will warn you now that if high speeds scare you, you might want to put on your seatbelt before pushing the play button on the video below (some motion sickness pills might help also….). Although measure 24 starts out with two sets of triplets, in measure 25 onward he changes the articulation of the triplets to mimic eighth note. Also, from measures 24-to the end of the chorus Joel is playing a line in triplets. Added chorus 2 below, the 5th line is 8va as labeled. For some unknown reason, Sam Dillon and the bass player Yosuke have decided that their purpose in life while in isolation is to play Cherokee as fast as humanly possible. Joel Frahm Solo on All the Things You Are-Chorus 1 Bb PDF. It’s just a fact of life that if you lock a jazz musician in a room in isolation or quarantine, they will not survive without a clear unfathomable goal and musical purpose. Believe it or not, this is Cherokee at 400 beats per minute. Here is another insane tenor sax solo by Sam Dillon. Nearly 50 of Julian Cannonball Adderleys recorded solos transcribed exactly for B-flat instruments, including: Blue Funk Cannonball Easy to Love (Youd Be. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |